Do Not Resist? 100 Years of Chicago Police Violence.
For the People Artists Collective presents: Larry Redmond
Solo photography works as part of the city-wide exhibition Do Not Resist? 100 Years of Chicago Police Violence.
Program 7pm: Discussion and Q and A with Larry Redmond and Frank Chapman
Do Not Resist? 100 Years of Chicago Police Violence is a community-based, artist-led, visual project and exhibition, curated by a team of artists within For the People Artists Collective.
While our city has been in national headlines around Jon Burge Torture, the Homan Square ‘black site’, and the Laquan McDonald murder tape, we, as both artists and organizers, see the need to go beyond mainstream media's fixation on isolated incidents. The Black Lives Matter movement is at a pivotal moment where dialogue has shifted from challenging police brutality, to challenging the violence inherent in policing as a whole system. This shift manifests in public demands being made by Black organizers to #DefundPolice and to #FundBlackFutures. The organizers within us know that this shift is critical to pushing closer towards liberation. The artists within us know that we are needed to help envision what our liberation could look like.
The exhibition will allow audience members to engage with Chicago’s history of police violence in order to better understand what led to our present circumstances. The exhibition will invite viewers to imagine a future without policing, serving as a space in which we can envision new structures for community safety that are not reliant on police and prisons.
This month-long, city-wide exhibition will take place at the Hairpin Arts Center and Art In These Times in Logan Square, Uri-Eichen Gallery in Pilsen, and Roman Susan Gallery in Rogers Park. The exhibition will be paired with teach-ins, workshops, performances, and panels on the topic of policing, challenging state violence, exploring abolition, and community healing. Open by appointment only outside of receptions. Please call 312 852 7717 for an appointment.
Retrospective of Lavender Menace: Angela Fegan
A survey of lavender menace interruptions in space 2014-2018
Program 7pm: Q and A with Angela Davis Fegan about the work.
Film Screening: She's Beautiful When She's Angry
The lavender menace poster project is a public messaging and infiltration project produced through handmade paper production, letterpress printing and laser cut text. The paper production process involves incorporating organic and recycled/repurposed materials for symbolic/emblematic and grotesque results. Letterpress printing is used as subversion of the traditional means of mass commercial communication, and the current quaint production of wedding invitations.
The goal of the work is to produce multifaceted alluring/repulsive handmade objects that stand out from the slick media saturated environment and announce resistance from the status quo. The project stems from a desire to voice institutional critique and run interference on mainstream leftist organizations that market tolerance as freedom and rights as consumer choices. Fegan's interest, in these specific mediums, stems from her committed desire to craft handmade objects in the time of the supremacy of ephemeral digital experience. It is these types of handmade objects that lend themselves to the tactile viewing experience and to distribution through a network beyond that of a single location. It is meant for viewing in public space, such as bar bathrooms, community health centers, alleys, and hair salons.
The phrase "lavender menace" was coined by NOW leader Betty Friedan who used it at a NOW meeting in 1969, claiming that outspoken lesbians were a threat to the feminist movement, arguing that the presence of these women distracted from the goals of gaining economic and social equality for women. Women took this insult, resisted and fought back forming the Lavender Menace group- it was one of the groups created as backlash to this exclusion of lesbians.The group formed in 1970, with many members involved in the Gay Liberation Front and the National Organization for Women. Join us celebrating the coming 50th anniversary of this struggle!
Open by appointment outside of receptions until March 2. For an appointment, call 312 852 7717
Art of Resistance and Resilience in NW Indiana
A 21st-century Urban Colony
Over the past few years, NW Indiana has been organizing for economic, social and environmental justice and against racist neocolonial policies. As Chicago pushes its own strategic gentrification, NW Indiana has been subordinated to its needs and interests, a 21st-century urban colony. The People have resisted! Resisted deportations from Gary airport (deportations for the entire Chicago region), Private prison construction for immigrant detention, Police repression against our black, brown and poor communities, Mass poisoning and gentrification of our economically oppressed Region, and Toxic environmental policies throughout NW Indiana.
Community artists are documenting these struggles and share the art of resistance at this exhibit. From protest signs to posters, from poetry to prose, from murals to photographs, this exhibit will offer testimony from activists and residents, stories and strategies, comedies and tragedies, along with a fierce commitment to battle for just equitable sustainable and livable communities.
Special Event: Celebrating the Fearless Anti War Activist Pat Hunt! Screening Shadow World.
March 16 at 7pm
Pat Hunt, founder of Chicago Code Pink, recently passed away. She was a fearless leader. Uri-Eichen was in discussion with Pat about when to screen Shadow World at the gallery. During this event, we honor her work in public schools countering military recruiting efforts, sharing the work of Code Pink, and Screening
Shadow World | Shocking Inside Story of Global Arms Trade
In this montage of archival news footage and interviews, we observe the shadow world of the global arms trade, where corruption, lies, and greed drive covert relationships between politicians, industry executives, military and intelligence officials, and arms dealers. Their aim is to perpetuate war
Second Fridays of the Month
6PM - 10PM
Richard Berg is the Past President of Teamsters Local 743 where he was an activist in the Teamster reform movement for more than 20 years before being elected president. He was a member and union steward for the Teamsters while working in the Department of Environmental Services at the University of Chicago Medical Center. He has also worked as an Organizer for AFSCME, as a Business Agent for the Teamsters, as a Union Representative for SEIU Local 73 and a Staff Representative for AFSCME Council 31. He was also previously the Treasurer of the Chicago Area Labor Support Committee, Executive Board Member of the Chicago Chapter of the Labor Committee for Latin American Advancement, International Steering Committee Member of Teamsters for a Democratic Union, 30th Ward Coordinator for Harold Washington for Mayor in 1987, Staff for James Exum for 48th Ward Democratic Committeeman, Steering Committee Member of the Illinois Chapter of the Labor Party, Wisconsin Chair of the Midwest Coalition Against Registration and the Draft, Co-Chair of the Marquette University Coalition for Divestiture and President of the Marquette University Progressive Student Organization . Richard is currently working for the Chicago Teachers Union and serves on the Steering Committee for the Chicago Labor Speakers Club. He also enjoys fine art whenever possible.
Paul Durica is a teacher, writer, and public historian. Since 2008 he has been producing a series of free and interactive public history programs under the name Pocket Guide to Hell. These talks, walks, and reenactments use costumes, props, music, and audience participation to make the past feel present.Paul’s writing on Chicago history and culture has appeared in Poetry, The Chicagoan, Mash Tun, Lumpen, and elsewhere and, with Bill Savage, he is the editor of Chicago By Day and Night: The Pleasure Seeker’s Guide to the Paris of America (Northwestern UP, 2013). He is currently the Director of Programs for Illinois Humanities.
Ruth Needleman, professor emerita in Labor Studies at Indiana University, has taught labor and Latin American studies since the late sixties. After 4 years in Latin American Literature & Studies at the University of California at Santa Cruz, she worked for the United Farm Workers under Cesar Chavez.
Ruth has been awarded honors for excellence in teaching, research and service, for her work, including a book, Black Freedom Fighters in Steel: the struggle for union democracy, and many articles on black history, race, class and gender, leadership development and on movements in Latin America. She contributed to a book on the right-wing in Chile, published by Quimantu, Allende’s publishing house, prior to the fascist coup. She has traveled extensively, presented in Brazil, Canada, Mexico, Cuba, Nigeria, Yugoslavia, Japan, Colombia and more.
She pioneered courses in Labor & the Arts at IU, and established a 15-year college-degree program called Swingshift College, enabling steelworkers to complete college degrees in a customized worker program based on transformational pedagogy. Currently she is writing about this program and the role and character of “pedagogy for liberation” for the 21st century. She is also teaching a course on global social movements at the School of the Arts Institute.
John Pitman Weber is active in community based public art, having co-founded the Chicago Public Art Group almost 45 years ago. His public works in mosaic, paint, cement, and brick are currently found in Chicago, New York City, Minneapolis, Vitoria-Gasteiz, (Spain), Spencer, IA and libraries of Broward Cty, FL. He is also active in the studio with painting and woodcuts. One of his large woodcuts is currently included in the Gulf Labor Coalition’s presence at the Venice Biennale. He is emeritus, retired from Elmhurst College. His home-studio is in Pilsen.
Larry Redmond: I've always had an interest in art. As a child, I used to draw comic book characters. When I entered college, I had hoped to major in art. However, at the time UIC didn't have an art department.
Now, I express myself visually through photography. I love photographing life in the street, especially marches and demonstrations. But my interest is expanding to fine art photography. I hope to do portraits and still lifes within the next year or so.
I graduated from the University of Illinois at Chicago, where I majored in Philosophy and minored in English. I later attended the John Marshall Law School, earning a Juris Doctor degree. I studied art and photography at Chicago State University where I developed my passion for Documentary Photography and Photojournalism.
I have recently become a member of the Chicago Alliance of African-American Photographers because I appreciated the organization's dedication of professionalism and excellence in the practice of the art of photography. I am also a member of the Washington Park Camera Club. I currently live in Chicago with my wife and family.
Kathy Steichen co-founded Uri-Eichen Gallery with her husband, Christopher Urias, in 2011. She has led the programming development and coordination of hundreds of visual art and community events at the gallery in the last seven years. She built an organization that brings thousands of people into the space to enjoy art, music and participate in discussions on social justice themes. She has been involved in racial justice, anti-war and human rights issues for over 25 years. She is an alumna of several social justice and arts programs at Las Palomas de Taos, housed in the Mable Dodge Luhan House in Taos, New Mexico. She founded Amnesty International chapters at the University of Iowa, Cornish College of the Arts in Seattle and the School of the Art Institute of Chicago. She worked as the Student Program Coordinator of Amnesty International in the Mid-west Region. She worked for Congresswoman Jan Schakowsky’s first primary run as the field coordinator of the 48th Ward in Chicago in the first Campaign School. She is a graduate of the School of the Art Institute of Chicago and has a M.S. in Union Leadership and Administration from UMASS Amherst. She has worked in the labor movement for twenty years as an organizer and union staff representative where she represents private and public sector local unions. She has been a practicing print-maker for over 25 years focused on work related to social justice theme
Christopher Urias co-founded Uri-Eichen Gallery. He is a Pilsen, Chicago native who graduated from the School of the Art Institute of Chicago.