A Voice For Victims
Drawings by Kathy Weaver with Photos by Dr. Zaher Sahloul
Opening Reception: Friday, December 9, 6pm to 10pm
URI-EICHEN Gallery 2101 S Halsted, Chicago IL 60608
info@URI-EICHEN.com | www.uri-eichen.com
Dr. Zaher Sahloul and Kathy Weaver speaking at 7:30
Show Dates: December 9– January 6, 2017
Gallery Hours:please call 312 852-7717 for an appointment.
Free and Open to the Public
Contact:Kathy Steichen firstname.lastname@example.org
Uri-Eichen Gallery presents our 5th Annual Human Rights Day Show “A Voice for Victims: Drawings by Kathy Weaver with Photos by Dr. Zaher Sahloul”, an exhibition featuring the work of Kathy Weaver and photographs of Syria by Dr. Zaher Sahloul.Dr. Sahloul is a Chicago-area critical care specialist who heads the Syrian American Medical Society, a non-profit humanitarian organization established in 2007.
Weaver’s drawings address components of war and in particular, the plight of war victims in Syria. Dr. Sahloul’s photos show the devastation he witnessed on several trips to administer to patients in the underground hospitals of Aleppo.Weaver’s work with issues of war and Dr. Sahloul’s community activism combine to bring their unique views to a show of narrative works that address conflict in today’s world.
Weaver’s large-scale drawings series “War Devours Us” show the toll of violent confrontation and explore the effects of war on soldiers and civilians.Tonal qualities of the drawing highlight the newsreel-like action. The interplay between hard edge airbrushed areas and expressive charcoal lines emphasizes the discrepancy between the inhumanity of violent destruction and death and the humanity of those refugees and victims who persist and endure in the events of war.
Dr. Sahloul is the immediate past president of and a senior advisor to the Syrian American Medical Society (SAMS), a humanitarian and advocacy organization that provides medical relief to Syrians and Syrian refugees. Dr. Sahloul is also the founder of the American Relief Coalition for Syria, a coalition of 14 US-based humanitarian organizations working in Syria. Dr. Sahloul risks his life to travel to work in the underground hospitals in Aleppo so he can bear witness and be a voice for the victims. The photographs on view are from his recent medical mission trips to Aleppo. They attest to the tragedy that keeps unfolding in Syria and also to the forbearance of those who remain there.
The exhibitors hope the images will help people remember the suffering of war especially that of the children of Syria. Weaver and Sahloul refuse to accept that what is going on in Syria is normal.
January: Mike James
Second Fridays of the Month
6PM - 10PM
Richard Berg is the Past President of Teamsters Local 743 where he was an activist in the Teamster reform movement for more than 20 years before being elected president. He was a member and union steward for the Teamsters while working in the Department of Environmental Services at the University of Chicago Medical Center. He has also worked as an Organizer for AFSCME, as a Business Agent for the Teamsters and as a Union Representative for SEIU Local 73. He was also previously the Treasurer of the Chicago Area Labor Support Committee, Executive Board Member of the Chicago Chapter of the Labor Committee for Latin American Advancement, International Steering Committee Member of Teamsters for a Democratic Union, 30th Ward Coordinator for Harold Washington for Mayor in 1987, Staff for James Exum for 48th Ward Democratic Committeeman, Steering Committee Member of the Illinois Chapter of the Labor Party, Wisconsin Chair of the Midwest Coalition Against Registration and the Draft, Co-Chair of the Marquette University Coalition for Divestiture and President of the Marquette University Progressive Student Organization . Richard is currently a Staff Representative for Illinois AFSCME Council 31 and serves on the Steering Committee for the Chicago Labor Speakers Club. He also enjoys fine art whenever possible.
Paul Durica is a teacher, writer, and public historian. Since 2008 he has been producing a series of free and interactive public history programs under the name Pocket Guide to Hell. These talks, walks, and reenactments use costumes, props, music, and audience participation to make the past feel present. Paul has collaborated on programs with a range of cultural institutions from across Chicago including the Jane Addams Hull House Museum, Chicago History Museum, Museum of Contemporary Art, Gallery 400, Smart Museum, and Sullivan Galleries among others. Paul recently received grants from the Department of Cultural Affairs and Special Events and the Chicago Park District to do a series of public history programs in Chicago parks and is one of seven Chicago artists selected to be part of the citywide People Plaza project. Pocket Guide to Hell has been written about in the New York Times, Chicago Tribune, The Atlantic Cities, and Huffington Post, and Paul has appeared multiple times on WBEZ and WTTW. Paul’s writing on Chicago history and culture has appeared in Poetry, The Chicagoan, Mash Tun, Lumpen, and elsewhere and, with Bill Savage, he is the editor of Chicago By Day and Night: The Pleasure Seeker’s Guide to the Paris of America (Northwestern UP, 2013). In May 2014 at the Logan Center for the Arts, he organized with Leigh Fagin Let’s Get Working: Chicago Celebrates Studs Terkel, a three-day festival of conversations, readings, film screenings, and musical performances celebrating the life and work of the radio personality and oral historian Studs Terkel and those who continue his work in the present. He is currently the Programs Coordinator for The Arts Club of Chicago.
Ruth Needleman, professor emerita in Labor Studies at Indiana University, has taught labor and Latin American studies since the late sixties. After 4 years in Latin American Literature & Studies at the University of California at Santa Cruz, she worked for the United Farm Workers under Cesar Chavez.
Ruth has been awarded honors for excellence in teaching, research and service, for her work, including a book, Black Freedom Fighters in Steel: the struggle for union democracy, and many articles on black history, race, class and gender, leadership development and on movements in Latin America. She contributed to a book on the right-wing in Chile, published by Quimantu, Allende’s publishing house, prior to the fascist coup. She has traveled extensively, presented in Brazil, Canada, Mexico, Cuba, Nigeria, Yugoslavia, Japan, Colombia and more.
She pioneered courses in Labor & the Arts at IU, and established a 15-year college-degree program called Swingshift College, enabling steelworkers to complete college degrees in a customized worker program based on transformational pedagogy. Currently she is writing about this program and the role and character of “pedagogy for liberation” for the 21st century. She is also teaching a course on global social movements at the School of the Arts Institute.
John Pitman Weber is active in community based public art, having co-founded the Chicago Public Art Group almost 45 years ago. His public works in mosaic, paint, cement, and brick are currently found in Chicago, New York City, Minneapolis, Vitoria-Gasteiz, (Spain), Spencer, IA and libraries of Broward Cty, FL. He is also active in the studio with painting and woodcuts. One of his large woodcuts is currently included in the Gulf Labor Coalition’s presence at the Venice Biennale. He is emeritus, retired from Elmhurst College. His home-studio is in Pilsen.
Larry Redmond: I've always had an interest in art. As a child, I used to draw comic book characters. When I entered college, I had hoped to major in art. However, at the time UIC didn't have an art department.
Now, I express myself visually through photography. I love photographing life in the street, especially marches and demonstrations. But my interest is expanding to fine art photography. I hope to do portraits and still lifes within the next year or so.
I graduated from the University of Illinois at Chicago, where I majored in Philosophy and minored in English. I later attended the John Marshall Law School, earning a Juris Doctor degree. I studied art and photography at Chicago State University where I developed my passion for Documentary Photography and Photojournalism.
I have recently become a member of the Chicago Alliance of African-American Photographers because I appreciated the organization's dedication of professionalism and excellence in the practice of the art of photography. I am also a member of the Washington Park Camera Club. I currently live in Chicago with my wife and family.
Kathy Steichen co-founded Uri-Eichen Gallery with her husband, Christopher Urias, in 2011. She has led the programming development and coordination of over 100 visual art and community events at the gallery in the last 4 years. She built an organization that brings thousands of people into the space to enjoy music and participate in discussions on social justice themes. She has been involved in racial justice, anti-war and human rights issues for over 25 years. She is an alumna of several social justice and arts programs at Las Palomas de Taos, housed in the Mable Dodge Luhan House in Taos, New Mexico. She founded and presided over Amnesty International chapters at the University of Iowa, Cornish College of the Arts in Seattle and the School of the Art Institute of Chicago. She worked as the Student Program Coordinator of Amnesty International in the Mid-west Region. She worked for Congresswoman Jan Schakowsky’s first primary run as the field coordinator of the 48th Ward in Chicago in the first Campaign School. She is a graduate of the School of the Art Institute of Chicago and has a M.S. in Union Leadership and Administration from UMASS Amherst. She has worked in the labor movement for more than 17 years as an organizer and union staff representative where she represents private and public sector local unions. She has been a practicing print-maker for over 25 years focused on work related to social justice themes.
Christopher Urias co-founded Uri-Eichen Gallery. He is a Pilsen, Chicago native who graduated from the School of the Art Institute of Chicago focused on printmaking.